Night After Night After Night (1969)
Nothing verified yet — 41 candidates from our sources, below.
Candidates, not yet verified
41 places named by a source we have not checked. Each row says who said it and links to where.
Shaftesbury Memorial Fountain in Piccadilly Circus W1
In reviewThe camera moves to find Peter Laver (Donald Sumpter) sitting on the steps beneath Eros. Under the Shaftesbury Memorial Fountain in Piccadilly Circus W1. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd Market in Mayfair
In reviewJosie runs from the arcade after seeing Lomax enter the building. Dom Delargy recognised Shepherd Market in Mayfair. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromAlbert Bridge linking Chelsea SW3 with Battersea in SW11
In reviewAlbert Bridge linking Chelsea SW3 with Battersea in SW11. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromAlbert Bridge with properties on Cheyne Walk in the background
In reviewA Constable looks down from the bridge where he sees the Judge. Albert Bridge with properties on Cheyne Walk in the background. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromBattersea Church Road with numbers 157 and 159 across the street to the right
In reviewWhile Lomax watches the Policemen walk towards him, Rowan arrives. Battersea Church Road with numbers 157 and 159 across the street to the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromCamden High Street NW1
In reviewCamden High Street NW1 with the corner of Parkway to the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromCentral Criminal Court at the corner of Holborn Viaduct and Old Bailey at London’s EC1 and EC4 boundary
In reviewDetective Inspector Bill Rowan (Gilbert Wynne) makes is way into court to hear the verdict. The Central Criminal Court at the corner of Holborn Viaduct and Old Bailey at London’s EC1 and EC4 boundary. Various views of the building can been seen in numerous other productions including ‘The Verdict’, 'Smart Alec', 'Murder in Reverse', 'Dr. Crippen', 'The Walking Stick' and ‘Seven Days to Noon’. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromCentral Criminal Court on Old Bailey EC4
In reviewAt the Old Bailey, Judge Charles Lomax presides over a case of rape against David Endell. The often seen dome of the Central Criminal Court on Old Bailey EC4. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromcorner of Parkway and Camden High Street in Camden
In reviewAs the deranged Judge runs his knife across images of naked women, the two Detectives speed through nearby streets. The corner of Parkway and Camden High Street in Camden. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromcorner of Piccadilly Circus W1 and Regent Street SW1 with Glasshouse Street
In reviewWith Laver behind bars, newspapers carry headlines about his pending trial. The corner of Piccadilly Circus W1 and Regent Street SW1 with Glasshouse Street in the left background. This entrance to Piccadilly Circus station has since been realigned. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromHampstead Police Station on Rosslyn Hill in London NW3
In reviewInside the police station where Detective Inspector Rowan is based, the deceased Girl's Boyfriend agrees to pick out a suspect from an identity parade. Hampstead Police Station on Rosslyn Hill in London NW3. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromHampstead Police Station on Rosslyn Hill NW3
In reviewCarter enters the police station and reports what he has witnessed. Hampstead Police Station on Rosslyn Hill NW3, which also features in 'One Way Out', ‘Account Rendered’ and 'The Wrong Arm of the Law'. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromHampstead Road from Mornington Crescent with Camden Hippodrome and Crowndale Road top right
In reviewRowan is updated with the Judge's position. Looking towards Hampstead Road from Mornington Crescent with Camden Hippodrome and Crowndale Road top right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromHawley Road, NW1
In reviewRowan and Powell approach a queue of traffic standing at a junction. Denis Hoare sees this as Hawley Road, NW1 looking towards the junction with Kentish Town Road. (RL) — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromjunction of Old Compton Street and Moor Street in Soho
In reviewTurning from the window, Laver crosses the road. Facing the junction of Old Compton Street and Moor Street in Soho. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromjunction of Shepherd Market, White Horse Street and Shepherd Street
In reviewRowan arrives on the scene. The junction of Shepherd Market, White Horse Street and Shepherd Street with the King's Arms to the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromLambeth Bridge SE1
In reviewA Couple take a night time stroll together as the titles appear. Looking across the River Thames from the eastern landing of Lambeth Bridge SE1 with the Houses of Parliament in SW1 as the background. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromMoor Street W1
In reviewFollowed everywhere he goes by Rowan, Laver peers uninterestedly through the window of an adult bookshop in Soho. Looking east towards Charing Cross Road from Moor Street W1. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromMornington Crescent
In reviewMornington Crescent with the Arcadia Tobacco Factory to the left and Clarkson Row on the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromMornington Crescent in NW1 with Arlington Road
In reviewDelayed by the congestion, the Detectives arrive at the room to find that Lomax has fled. Mornington Crescent in NW1 with Arlington Road to the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromMornington Crescent NW1
In reviewFeeling stressed after presiding over Laver's trial, Judge Lomax makes his way to a nondescript building where he has a room. Looking westward on Mornington Crescent NW1 with the Arcadia Cigarette Factory on the left and Mornington Court at the corner of Arlington Road to the right. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromMornington Crescent with Mornington Crescent station on Hampstead Road
In reviewHaving followed the Judge, Carter (Terry Scully) leaves the building after seeing him in the room full of obscene images and objects. Mornington Crescent with Mornington Crescent station on Hampstead Road in the background. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromnumber 3 Shepherd Street
In reviewIn the street below, Officers check other entrances into the building. Looking west from outside number 3 Shepherd Street with the corner of Trebeck Street in the right distance. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromnumber 8 St. Anne's Court W1
In reviewLosing Lomax, the Detective scans the surrounding roof tops. The roof of number 8 St. Anne's Court W1 with the rear of numbers 8 and 9 Carlisle Street on the right and the Post Office Tower in the distance. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromnumber 8 St. Annes' Court W1
In reviewClimbing through a window and making his way up to the roof of the premises, Lomax looks for means of escape. The roof of number 8 St. Annes' Court W1 with the background formed by the back of number 6 Richmond Buildings. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromOld Swan Wharf off Battersea Church Road in SW11 with the Old Swan public house being rebuilt on the right
In reviewGetting out of their car, Officers approach the Judge while a Sniper takes up his position. Old Swan Wharf off Battersea Church Road in SW11 with the Old Swan public house being rebuilt on the right. The wharf can be seen in 'Salt & Pepper' and 'Clegg' but the pub was closed and demolished in 1987. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came frompassageway linking Shepherd Market with Shepherd Street
In reviewThe Judge follows one of the Prostitutes through a doorway. Looking south along the passageway linking Shepherd Market with Shepherd Street. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromPiccadilly Circus
In reviewAfter Detective Inspector Rowan's wife Jenny is stabbed to death while she takes a bath, cut . . . . to Piccadilly Circus. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd House on Shepherd Street in Mayfair
In reviewPolice Woman Josephine Leach (Jacqueline Clerk) patrols the streets dressed as a prostitute. The pavement outside Shepherd House on Shepherd Street in Mayfair. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd Market
In reviewLomax turns a corner. The area and connecting streets around Shepherd Market also appear in 'Follow Me!', ‘Booby Trap’, 'Murder Without Crime', ‘Maytime in Mayfair’, ‘Escape from Broadmoor’, ‘Stage Fright’ and ‘Monsieur Ripois’. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd Market in W1
In reviewApproaching an arcade where Prostitutes are offering their services, Lomax turns to enter. Shepherd Market in W1 identified by Dom Delargy. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd Street in Mayfair W1
In reviewFinding a trouser suit, a scarf, a wig and lipstick in another flat, Lomax walks out of the building as the Policemen enter. Shepherd Street in Mayfair W1. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromShepherd Street W1 with the King's Arms public house at the junction of Shepherd Market and White Horse Street
In reviewWearing a wig and dressed in leather, Lomax walks through the streets in a daze. Shepherd Street W1 with the King's Arms public house at the junction of Shepherd Market and White Horse Street in the background located by Dom Delargy. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromshore below St. Mary's Church towards Lots Road Power Station
In reviewStaggering along the river, Lomax stumbles. Looking across the Thames from the shore below St. Mary's Church towards Lots Road Power Station. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromshore of the Thames below Battersea Church Road SW11 with Battersea Railway Bridge and the four chimneys of Fulham Power Station in the left distance
In reviewPolice car sirens sound in the distance. The shore of the Thames below Battersea Church Road SW11 with Battersea Railway Bridge and the four chimneys of Fulham Power Station in the left distance. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromshore of the Thames. Beneath Albert Bridge in Battersea with Battersea Bridge in the background
In reviewClutching a revolver, Lomax wanders aimlessly along the shore of the Thames. Beneath Albert Bridge in Battersea with Battersea Bridge in the background. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromSt. Anne's Court in Soho
In reviewRowan follows the Judge to the roof. Facing south-west along the line of St. Anne's Court in Soho with properties on Wardour Street in the background. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromSt. Mary's Church on Battersea Church Road SW11
In reviewPowell looks down at the Judge's body after the Sniper fires when he raised his gun. To the extreme left stands St. Mary's Church on Battersea Church Road SW11. The church also appears in 'For Them That Trespass', 'Alfie', 'Melody', 'Food for a Blush' and 'The Sleeping Tiger'. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromthe corner of Perceval Ave. and Belsize Lane, NW3
In reviewAfter handing down a sentence of five years in prison to Endell, Judge Lomax arrives home where his wife Helena is getting ready for their evening out. Denis Hoare confirmed his belief of the location by visiting the house on the corner of Perceval Ave. and Belsize Lane, NW3 (RL) — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromthe Serpentine in Hyde Park W2
In reviewThe following day Judge Charles Lomax (Jack May) feeds ducks during a recess. This appears to be the Serpentine in Hyde Park W2. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came fromWhite Horse Street from the corner of Shepherd Street
In reviewWith sirens sounding, a police car speeds through the narrow streets. Located by Dom Delargy, this is looking into White Horse Street from the corner of Shepherd Street. — recorded for Night After Night After Night by Reelstreets. Not yet verified by us.
Where this came from